Essay on Lust and Love in Shakespeare’s Sonnet 130 and Campion’s There

Lust and Love in Shakespe ars Sonnet 130 and lychniss in that location is a Garden in Her suit When a comparison is made between There is a Garden in Her Face by Thomas Campion and Sonnet 130 by William Shakespeare, the balance between lustful adoration and true love becomes evident. Both poems involve descriptions of a beloved lady seen through the eyes of the speaker, but the speaker in Campions poem discusses the womans beautiful perfections, while the speaker in Shakespeares poem shows that it is the womans faults which make her beautiful. In There is a Garden in Her Face, the subject of the speakers affection is idolise beyond reality and is placed so high upon a pedestal that she is close unattainable. Campion uses metaphors and similes to compare the lady to the splendors of nature. Roses and cherries are repeatedly used to attract various parts of the lady, like her rosy cheeks and luscious lips. Her teeth are verbalize to be made of orient pearl a double course of study (line 8). The white of the pearl, the lilies and the snow build the calculate of a woman of purity and virtue. This fancy of the lady as a divine creature is further accent by the many references to heaven. Her face is seen as a heavenly paradise(3), her eyes are like angels(13), and her lips are called sacred cherries(17). They are a forbidden fruit, standardized to those of the garden of Eden, that no one may touch or even interpret at till Cherry ripe themselves do cry (5). The lady is viewed to be standoffish unless she intrusts her permission to be approached. She seems cold and unfeeling when her brows are described as deform bows (14) ready to kill with piercing frowns(15), so it is likely that she does not give her permission easi... ...uty which is insufferable for any woman or man to match. Campions poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the sp eaker has created of her. The image is false, and so is his love because he is only centering on her outward appearance. The speaker in Shakespeares sonnet clearly is not in love with his mistress looks. Everything about her is contrary to societys standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her. Works Cited Abrams, M.H., ed. The Norton Anthology of English Literature. refreshed York Norton, 1993. Campion, Thomas. There is a Garden in Her Face. Abrams 1044. Shakespeare, William. Sonnet 130. Abrams 820. Essay on Lust and Love in Shakespeares Sonnet 130 and Campions There Lust and Love in Shakespeares Sonnet 130 and Campions There is a Garden in Her Face When a comparison is made between There is a Garden in Her Face by Thomas Campion and Sonnet 130 by William Shakespeare, the difference between lustful adoration and true love becomes evident. Both poems involve descriptions of a beloved lady seen through the eyes of the speaker, but the speaker in Campions poem discusses the womans beautiful perfections, while the speaker in Shakespeares poem shows that it is the womans faults which make her beautiful. In There is a Garden in Her Face, the subject of the speakers affection is idolized beyond reality and is placed so high upon a pedestal that she is virtually unattainable. Campion uses metaphors and similes to compare the lady to the splendors of nature. Roses and cherries are repeatedly used to describe various parts of the lady, like her rosy cheeks and luscious lips. Her teeth are said to be made of orient pearl a double row (line 8). The white of the pearl, the lilies and the snow build the image of a woman of purity and virtue. This notion of the lady as a divine creature is further emphasized by the many references to heaven. Her face is seen as a heavenly paradise(3), her eyes are like angels(13), and her lips are call ed sacred cherries(17). They are a forbidden fruit, similar to those of the garden of Eden, that no one may touch or even look at till Cherry ripe themselves do cry (5). The lady is viewed to be unapproachable unless she gives her permission to be approached. She seems cold and unfeeling when her brows are described as bended bows (14) ready to kill with piercing frowns(15), so it is likely that she does not give her permission easi... ...uty which is impossible for any woman or man to match. Campions poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeares sonnet clearly is not in love with his mistress looks. Everything about her is contrary to societys standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her. Works Cited Abrams, M.H., ed. The Norton Anthology of English Literature. New York Norton, 1993. Campion, Thomas. There is a Garden in Her Face. Abrams 1044. Shakespeare, William. Sonnet 130. Abrams 820.